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9件因太空竞赛而流行起来的世纪中期设计

放大字体  缩小字体 发布日期:2025-07-22 06:06:00    来源:本站    作者:admin    浏览次数:57    评论:0
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                  出版:2023年11月3日下午12:15

  

  

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<p>  After the Soviet Unio<em></em>n successfully launched the first-ever artificial satellite in 1957, the competition between the United States and its Cold War rival became more urgent. The Space Race, a technological and ideological competition to explore outer space, began earnestly with both sides eager to launch satellites and put living creatures in space.</p>

<p>  As U.S. leading scientists and politicians became increasingly co<em></em>nfident in achieving this goal, ordinary citizens became enamored with optimistic visions of a future full of space exploration and life among the stars. Shows like

  At the same time, the development of groundbreaking materials hastened during World War II, introducing designers to fiberglass and plastic, which would remake material culture. These furniture pieces, a subset of midcentury pieces, were inspired by the forward-thinking, synthetic material heyday of the Space Race. They gave birth to sleek furnishings that looked like they belonged to another world altogether.

  When it comes to Space Age design staples, which ones do you know? Living Spaces combed design history to compile a list of nine essential midcentury furniture pieces bolstered by the Space Race, from Ball chairs to Sputnik lamps.

  Visit thestacker.com for similar lists and stories.

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<p>  The Sputnik lamp's name came from the Soviet Unio<em></em>n's Sputnik I, which launched in 1957 and became the world's first artificial satellite. Its success is widely credited with kicking off the Space Race, so it's o<em></em>nly natural that one of the most ico<em></em>nic Space Age design pieces carries its name.</p>

<p>  Also commo<em></em>nly known as the Sputnik chandelier, the lighting staple was first created by Italian designer Gino Sarfatti, whose sketch dates back to 1939. By the 1950s, Sarfatti produced his drafted version, calling it number 2003, but its better-known moniker, Sputnik, eventually took over its identity.</p>

<p>  Sputnik lamps are known for including a ba<em></em>se surrounded by multiple arms, each co<em></em>ntaining a light bulb. Even today, the satellite often influences designers to produce lighting fixtures reminiscent of the object.</p>

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<p>  The Pastil chair is essentially the younger sibling of Eero Aarnio's ico<em></em>nic Ball chair. The chairs were designed to fit into the void of the Ball chair, with no egg-shaped acrylic f<em></em>rame included, just an impression that indicated wher<em></em>e one could sit. Despite requiring less construction, the product garnered the American Industrial Award in 1968 and evokes futuristic, manufactured pod living.</p>

<p>  Pictured immediately alo<em></em>ngside it is Anna Castelli Ferrieri's Compo<em></em>nibilli storage unit, a cylindrical storage piece that can be outfitted with castors and doors. This modular piece is stackable without screws and even doubles as a tray. Just right of the storage unit is Carlo Nason's Birillo lamp, which features two Murano glass bulb shapes joined by a me<em></em>tal cylinder. The lamp could be lit separately or together, depending on the light needs of the room.</p>

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<p>  During the Space Age, single-use plastics became a popular design material, often presented in futuristic, unique shapes. Swiss designer Verner Panton's epo<em></em>nymous chair, the Panton chair, is one of the most ico<em></em>nic examples of this fusion of utopian, forward-looking design and large-scale plastic use.</p>

<p>  The Panton chair, made out of a single piece of plastic, has a sleek, S-shaped cantilever design that plays off plastic's co<em></em>ntradictory features: flexibility and rigidity. It also caught the eye with its bold form and single color, a co<em></em>ncept it popularized on a grand scale after its 1967 debut. However, despite being a technological marvel, creating the chair in its original specifications was impossible until decades later, in 1999.</p>

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<p>  Finnish American designer Eero Saarinen initially created the Tulip table and chairs to avoid the traditio<em></em>nally

  The pieces were designed for Knoll in 1957 as part of Saarinen's Pedestal collection. Stanley Kubrick's iconic 1968 sci-fi film, "2001: A Space Odyssey," featured a Tulip-style table.

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<p>  Despite not setting out to create a futuristic design, Eero Aarnio's Ball chair has gone down in history as one of the most ico<em></em>nic Space Age designs and arguably one of the most ico<em></em>nic industrial design pieces, period.</p>

<p>  Ball chairs, made of fiberglass, immediately call to mind futuristic pods, with precise geometry, synthetic materials, and eye-popping colors that evoked a man-made future when it was released to the public in 1966. The design was also popular onscreen, appearing in well-known science fiction films such as

  Also pictured is Italian designer Gino Sarfatti's Moon lamp, made with a translucent plastic dome with several microbulbs inside that echo lunar craters. Sarfatti designed the product in 1969, which also happens to be the year humankind first landed on the moon.

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<p>  Quasar Khanh's affiliation with Space Age design can be found in his very name. After marrying his wife, fashion designer Emmanuelle, in 1957, he took on the name Quasar, a term used to describe a bright object powered by black holes.</p>

<p>  Today, he is best known for his ncept became so popular that it merited a Vogue family photograph in 1970.

  A vintage ad for one of the designer's inflatable pieces boasted it "will float you into the comforts of 'tomorrow'" and that it was as "modern as a stroll on the moon."

  Story editing by Carren Jao. Copy editing by Kristen Wegrzyn.

  This story originally appeared on Living Spaces and was produced and

  distributed in partnership with Stacker Studio.

  " src="http://www.pengsiai.com/file/upload/202311/04/165852811.jpg">出版:2023年11月3日下午12:15

 
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